This is a list of all microphone models in Line 6 Helix. The right column shows the real mics they are based on.
Mic models for the guitar cabs
Model | Based on |
---|---|
57 Dynamic | Shure SM57 |
421 Dynamic | Sennheiser MD 421-U |
7 Dynamic | Shure SM7 |
906 Dynamic | Sennheiser e906 |
30 Dynamic | Heil Sound PR 30 |
121 Ribbon | Royer R-121 |
160 Ribbon | Beyerdynamic M 160 |
4038 Ribbon | Coles 4038 |
84 Ribbon | AEA R84 |
414 Cond | AKG C414 XLS |
47 Cond FET | Neumann U47 FET |
67 Cond | Neumann U67 |
Mic models for the bass cabs
Model | Based on |
---|---|
57 Dynamic | Shure SM57 |
421 Dynamic | Sennheiser MD 421-U |
7 Dynamic | Shure SM7 |
88 Dynamic | Beyerdynamic M88TG |
52 Dynamic | Shure Beta 52A |
112 Dynamic | AKG D112 |
D6 Dynamic | Audix D6 |
40 Dynamic | Heil Sound PR 40 |
4038 Ribbon | Coles 4038 |
414 Cond | AKG C414 TLII |
47 Cond FET | Neumann U47 FET |
67 Cond | Neumann U67 |
Position
Sets the lateral location of the mic in relation to the speaker cone.
Choose from Center ~ Cap Edge ~ Edge. Cap Edge may appear in a different location depending on the selected cab.
Distance
Sets the distance of the mic from the speaker cone.
Choose from 1.00“ to 12.00“ in 1/4“ increments.
Angle
Sets the angle of the mic.
0 degrees is pointing directly at the speaker, 45 degrees is pointing off-axis.
Low Cut
Applies a low cut (high pass) filter, letting you remove all audio below a certain frequency.
May be useful in removing undesirable low end rumble.
High Cut
Applies a high cut (low pass) filter, letting you remove all audio above a certain frequency.
May be useful in removing high end harshness.
Level
Sets the overall level of the cab.
Pan (Cab > Dual only)
Moves the signal left or right across the stereo sound field. For example, if you’re running a stereo playback system with two or more speakers, panning the first cab to Left 100 and the second cab to Right 100 can make your tone sound notably wider.
Press the knob to return to Center.
Delay (Cab > Dual only)
Although the new cabs in 3.50 perfectly line up with one another, there may be situations where you want to delay one side very slightly, to perhaps impart a bit of phase incoherence or at higher values, to increase the apparent stereo spread.
A little goes a long way here.
Legacy Microphone Models (Prior firmware 3.50)
Model | Based on |
---|---|
57 Dynamic | Shure SM57 |
409 Dynamic | Sennheiser MD 409 |
421 Dynamic | Sennheiser MD 421-U |
30 Dynamic | Heil Sound PR 30 |
20 Dynamic | Electro-Voice RE20 |
121 Ribbon | Royer R-121 |
160 Ribbon | Beyerdynamic M 160 |
4038 Ribbon | Coles 4038 |
414 Cond | AKG C414 TLII |
84 Cond | Neumann KM84 |
67 Cond | Neumann U67 |
87 Cond | Neumann U87 |
47 Cond | Neumann U47 |
112 Dynamic | AKG D112 |
12 Dynamic | AKG D12 |
7 Dynamic | Shure SM7 |
Helix Amp Models Helix Cabinet Models Helix Effect Models
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Thanks for this amazing job. It’s very useful.
lolo
Thank you!
This is amazing work to find and so well maintained. Thank you kindly for the significant effort
Thank you very much. Glad you like it.